{"id":139,"date":"2023-01-31T15:20:12","date_gmt":"2023-01-31T18:20:12","guid":{"rendered":"https:\/\/tarahumaras.praxis.pro.br\/?p=139"},"modified":"2023-02-01T10:44:20","modified_gmt":"2023-02-01T13:44:20","slug":"producao-teatral","status":"publish","type":"post","link":"https:\/\/tarahumaras.praxis.pro.br\/index.php\/2023\/01\/31\/producao-teatral\/","title":{"rendered":"Produ\u00e7\u00e3o Teatral"},"content":{"rendered":"

\"\"\u00a0ORA\u00c7\u00c3O –\u00a0<\/a>Tradu\u00e7\u00e3o e Encena\u00e7\u00e3o: Wilson Co\u00ealho<\/a><\/strong><\/span><\/p>\n

\"\"\u00a0UM GRITO PARADO NO AR<\/a> – Encena\u00e7\u00e3o: Wilson Co\u00ealho<\/a><\/strong><\/span><\/p>\n

\"\"\u00a0OS \u00daLTIMOS DIAS DE PAUP\u00c9RIA (2016)<\/a> – Texto e Encena\u00e7\u00e3o: Wilson Co\u00ealho<\/a><\/strong><\/b><\/span><\/p>\n

\"\"\u00a0CARTA DE AMOR \u2013 Como um supl\u00edcio chin\u00eas (2014)<\/a> – Texto: Fernando Arrabal – Tradu\u00e7\u00e3o e Encena\u00e7\u00e3o: Wilson Co\u00ealho<\/a><\/strong><\/span><\/p>\n

\"\" \u00a0A VIDA \u00c9 SONHO (2013)<\/a> – Texto, Tradu\u00e7\u00e3o e Encena\u00e7\u00e3o: Wilson Co\u00ealho<\/a><\/strong><\/b><\/span><\/p>\n

\"\"\u00a0O CEMIT\u00c9RIO DE AUTOM\u00d3VEIS (2010)<\/a> – Texto, Tradu\u00e7\u00e3o e Encena\u00e7\u00e3o: Wilson Co\u00ealho<\/a><\/strong><\/b><\/span><\/p>\n

\"\"\u00a0UMA TEMPORADA NO INFERNO (2007)<\/a> – Texto e Encena\u00e7\u00e3o: Wilson Co\u00ealho<\/a><\/strong><\/b><\/span><\/p>\n

\"\"<\/span>FALANDO E LIS (1999)<\/a> – Texto de Fernando Arrabal – Encena\u00e7\u00e3o de Wilson Co\u00ealho<\/a><\/span><\/strong><\/p>\n

\"\"\u00a0OS \u00daLTIMOS DIAS DE PAUP\u00c9RIA (1998)<\/a> – Texto e Encena\u00e7\u00e3o: Wilson Co\u00ealho<\/a><\/strong><\/span><\/p>\n

\"\" VIOLETA DOS ANDES (1998) <\/a>– Tradu\u00e7\u00e3o, Texto e Encena\u00e7\u00e3o: Wilson Co\u00ealho<\/a><\/strong><\/b><\/span><\/p>\n

\"\" PARA ACABAR COM O JULGAMENTO DE DEUS (1996)<\/a> – Texto: Antonin Artaud – Tradu\u00e7\u00e3o, Adapta\u00e7\u00e3o e Encena\u00e7\u00e3o: Wilson Co\u00ealho<\/strong><\/span><\/p>\n

\"\" A QUEST\u00c3O SE COLOCA DE\u2026 (1996)<\/a> – Roteiro e Encena\u00e7\u00e3o: Wilson Co\u00ealho<\/a><\/strong><\/b><\/span><\/p>\n

\"\" VAN GOGH (1994)<\/a>\u00a0– Texto e Encena\u00e7\u00e3o: Wilson Co\u00ealho<\/a><\/strong><\/span><\/p>\n

\"\" R\u00c9QUIEM (1993) <\/a>–\u00a0Texto: Miguel Bejarano – Tradu\u00e7\u00e3o, adapta\u00e7\u00e3o e Encena\u00e7\u00e3o: Wilson Co\u00ealho<\/a><\/strong><\/span><\/p>\n

\"\" O FILHO PR\u00d3DIGO (1992) <\/a>– Texto e Encena\u00e7\u00e3o: Wilson Co\u00ealho<\/a><\/strong><\/span><\/p>\n

\"\" UMA TEMPORADA NO INFERNO (1991)<\/a> – Texto e Encena\u00e7\u00e3o: Wilson Co\u00ealho<\/a><\/strong><\/b><\/span><\/p>\n

\"\" A TOCHA OL\u00cdMPICA (1990) <\/a>– Texto e Encena\u00e7\u00e3o: Wilson Co\u00ealho<\/a><\/strong><\/span><\/p>\n

\"\"<\/a> ARTAUD E SEU DUPLO (1990) <\/a>– Texto e Encena\u00e7\u00e3o: Wilson Co\u00ealho<\/a><\/strong><\/b><\/span><\/p>\n

\"\"<\/a> TRIBUNAL ECOL\u00d3GICO (1989) <\/a>– Texto e Encena\u00e7\u00e3o: Wilson Co\u00ealho<\/a><\/strong><\/b><\/span><\/p>\n

\"\"<\/a> O SOL NO C\u00c9U DA BOCA (1989) <\/a>– Texto:\u00a0<\/b>Adapta\u00e7\u00e3o por Wilson Co\u00ealho<\/a><\/strong> <\/b>e\u00a0Rodolfo Dartan\u00a0<\/b>do conto hom\u00f4nimo de\u00a0Fernando Tatagiba<\/b><\/span><\/p>\n

\"\" ANTONIN ARTAUD \u2013 ATOS DE CRUELDADE (1988)<\/a> – Texto e Encena\u00e7\u00e3o: Wilson Co\u00ealho<\/a><\/strong><\/b><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

\u00a0ORA\u00c7\u00c3O –\u00a0Tradu\u00e7\u00e3o e Encena\u00e7\u00e3o: Wilson Co\u00ealho \u00a0UM GRITO PARADO NO AR – Encena\u00e7\u00e3o: Wilson Co\u00ealho \u00a0OS \u00daLTIMOS DIAS DE PAUP\u00c9RIA (2016) – Texto e Encena\u00e7\u00e3o: Wilson Co\u00ealho \u00a0CARTA DE AMOR \u2013 Como um supl\u00edcio chin\u00eas (2014) – Texto: Fernando Arrabal – Tradu\u00e7\u00e3o e Encena\u00e7\u00e3o: Wilson Co\u00ealho \u00a0A VIDA \u00c9 SONHO (2013) – Texto, Tradu\u00e7\u00e3o e Leia mais… »<\/a><\/p>\n","protected":false},"author":1,"featured_media":13,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-139","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sem-categoria"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/tarahumaras.praxis.pro.br\/wp-content\/uploads\/2023\/01\/LogosTarahumaras-reduzido.png?fit=200%2C183&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/tarahumaras.praxis.pro.br\/index.php\/wp-json\/wp\/v2\/posts\/139","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tarahumaras.praxis.pro.br\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tarahumaras.praxis.pro.br\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tarahumaras.praxis.pro.br\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tarahumaras.praxis.pro.br\/index.php\/wp-json\/wp\/v2\/comments?post=139"}],"version-history":[{"count":5,"href":"https:\/\/tarahumaras.praxis.pro.br\/index.php\/wp-json\/wp\/v2\/posts\/139\/revisions"}],"predecessor-version":[{"id":266,"href":"https:\/\/tarahumaras.praxis.pro.br\/index.php\/wp-json\/wp\/v2\/posts\/139\/revisions\/266"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tarahumaras.praxis.pro.br\/index.php\/wp-json\/wp\/v2\/media\/13"}],"wp:attachment":[{"href":"https:\/\/tarahumaras.praxis.pro.br\/index.php\/wp-json\/wp\/v2\/media?parent=139"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tarahumaras.praxis.pro.br\/index.php\/wp-json\/wp\/v2\/categories?post=139"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tarahumaras.praxis.pro.br\/index.php\/wp-json\/wp\/v2\/tags?post=139"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}