{"id":78,"date":"2023-01-31T14:24:10","date_gmt":"2023-01-31T17:24:10","guid":{"rendered":"https:\/\/tarahumaras.praxis.pro.br\/?page_id=78"},"modified":"2023-02-01T10:47:24","modified_gmt":"2023-02-01T13:47:24","slug":"violeta-dos-andes-1998","status":"publish","type":"page","link":"https:\/\/tarahumaras.praxis.pro.br\/index.php\/violeta-dos-andes-1998\/","title":{"rendered":"VIOLETA DOS ANDES (1998)"},"content":{"rendered":"<p style=\"font-weight: 400;\"><strong>Tradu\u00e7\u00e3o, Texto e Encena\u00e7\u00e3o: <span style=\"font-size: 12pt;\"><a href=\"https:\/\/wilsoncoelho.praxis.pro.br\/\">Wilson Co\u00ealho<\/a><\/span>.<\/strong><\/p>\n<p style=\"font-weight: 400;\"><strong>Sinopse:<\/strong>\u00a0Baseado na vida e obra da poeta, compositora, ceramista, pintora, bordadeira e pesquisadora do folclore chileno, Violeta Parra (1917-1967) O espet\u00e1culo (mon\u00f3logo) mostra a artista engajada, fala de seus sonhos, amores e sofrimentos e \u00e9 recheado de poesias, cartas e textos de Violeta Parra, al\u00e9m de incluir as m\u00fasicas: &#8220;Gracias a la Vida&#8221;, &#8220;Volver a los 17&#8221;, &#8220;La Carta&#8221; e outras.<\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-79\" src=\"https:\/\/i0.wp.com\/tarahumaras.praxis.pro.br\/wp-content\/uploads\/2023\/01\/Imagem-014.jpg?resize=780%2C529&#038;ssl=1\" alt=\"\" width=\"780\" height=\"529\" srcset=\"https:\/\/i0.wp.com\/tarahumaras.praxis.pro.br\/wp-content\/uploads\/2023\/01\/Imagem-014.jpg?w=896&amp;ssl=1 896w, https:\/\/i0.wp.com\/tarahumaras.praxis.pro.br\/wp-content\/uploads\/2023\/01\/Imagem-014.jpg?resize=300%2C204&amp;ssl=1 300w, https:\/\/i0.wp.com\/tarahumaras.praxis.pro.br\/wp-content\/uploads\/2023\/01\/Imagem-014.jpg?resize=768%2C521&amp;ssl=1 768w\" sizes=\"auto, (max-width: 780px) 100vw, 780px\" \/> <img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-80\" src=\"https:\/\/i0.wp.com\/tarahumaras.praxis.pro.br\/wp-content\/uploads\/2023\/01\/Violeta-de-los-Andes-1.jpg?resize=762%2C1024&#038;ssl=1\" alt=\"\" width=\"762\" height=\"1024\" srcset=\"https:\/\/i0.wp.com\/tarahumaras.praxis.pro.br\/wp-content\/uploads\/2023\/01\/Violeta-de-los-Andes-1.jpg?resize=762%2C1024&amp;ssl=1 762w, https:\/\/i0.wp.com\/tarahumaras.praxis.pro.br\/wp-content\/uploads\/2023\/01\/Violeta-de-los-Andes-1.jpg?resize=223%2C300&amp;ssl=1 223w, https:\/\/i0.wp.com\/tarahumaras.praxis.pro.br\/wp-content\/uploads\/2023\/01\/Violeta-de-los-Andes-1.jpg?resize=768%2C1033&amp;ssl=1 768w, https:\/\/i0.wp.com\/tarahumaras.praxis.pro.br\/wp-content\/uploads\/2023\/01\/Violeta-de-los-Andes-1.jpg?resize=1143%2C1536&amp;ssl=1 1143w, https:\/\/i0.wp.com\/tarahumaras.praxis.pro.br\/wp-content\/uploads\/2023\/01\/Violeta-de-los-Andes-1.jpg?w=1173&amp;ssl=1 1173w\" sizes=\"auto, (max-width: 762px) 100vw, 762px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tradu\u00e7\u00e3o, Texto e Encena\u00e7\u00e3o: Wilson Co\u00ealho. Sinopse:\u00a0Baseado na vida e obra da poeta, compositora, ceramista, pintora, bordadeira e pesquisadora do folclore chileno, Violeta Parra (1917-1967) O espet\u00e1culo (mon\u00f3logo) mostra a artista engajada, fala de seus sonhos, amores e sofrimentos e \u00e9 recheado de poesias, cartas e textos de Violeta Parra, al\u00e9m de incluir as m\u00fasicas: <a class=\"more-link\" href=\"https:\/\/tarahumaras.praxis.pro.br\/index.php\/violeta-dos-andes-1998\/\">Leia mais&#8230; &raquo;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-78","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/tarahumaras.praxis.pro.br\/index.php\/wp-json\/wp\/v2\/pages\/78","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tarahumaras.praxis.pro.br\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/tarahumaras.praxis.pro.br\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/tarahumaras.praxis.pro.br\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tarahumaras.praxis.pro.br\/index.php\/wp-json\/wp\/v2\/comments?post=78"}],"version-history":[{"count":2,"href":"https:\/\/tarahumaras.praxis.pro.br\/index.php\/wp-json\/wp\/v2\/pages\/78\/revisions"}],"predecessor-version":[{"id":276,"href":"https:\/\/tarahumaras.praxis.pro.br\/index.php\/wp-json\/wp\/v2\/pages\/78\/revisions\/276"}],"wp:attachment":[{"href":"https:\/\/tarahumaras.praxis.pro.br\/index.php\/wp-json\/wp\/v2\/media?parent=78"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}