{"id":7,"date":"2023-01-31T10:21:00","date_gmt":"2023-01-31T13:21:00","guid":{"rendered":"https:\/\/tarahumaras.praxis.pro.br\/?page_id=7"},"modified":"2023-02-01T10:50:19","modified_gmt":"2023-02-01T13:50:19","slug":"antonin-artaud-atos-de-crueldade-1988-texto-e-encenacao-wilson-coelho","status":"publish","type":"page","link":"https:\/\/tarahumaras.praxis.pro.br\/index.php\/antonin-artaud-atos-de-crueldade-1988-texto-e-encenacao-wilson-coelho\/","title":{"rendered":"ANTONIN ARTAUD &#8211; ATOS DE CRUELDADE (1988)"},"content":{"rendered":"<p><b>Texto e Encena\u00e7\u00e3o: <strong><span style=\"font-size: 12pt;\"><a href=\"https:\/\/wilsoncoelho.praxis.pro.br\/\">Wilson Co\u00ealho<\/a><\/span>.<\/strong><\/b><\/p>\n<p><b>Sinopse:\u00a0<\/b>Vida e obra de Artaud. Sua participa\u00e7\u00e3o no movimento surrealista, bem como, sua expuls\u00e3o. Cria\u00e7\u00e3o do Teatro Alfred Jarry. Sua visita ao M\u00e9xico e sua rela\u00e7\u00e3o com os intelectuais e encontro com os \u00edndios Tarahumaras. Influ\u00eancia do teatro oriental, em especial, os balinenses, da Indon\u00e9sia. Estadia em diversos manic\u00f4mios, sua rela\u00e7\u00e3o com os m\u00e9dicos e seus conceitos sobre a loucura. Artaud e suas fases: m\u00edstica crist\u00e3, m\u00edstica pag\u00e3 e, finalmente, escatol\u00f3gica. Artaud e o cinema (&#8220;Joana D&#8217;Arc em Chamas&#8221;), de Carl Th\u00e9odore Dreyer.<\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-8 size-large\" src=\"https:\/\/i0.wp.com\/tarahumaras.praxis.pro.br\/wp-content\/uploads\/2023\/01\/Artaud5.jpg?resize=744%2C1024&#038;ssl=1\" alt=\"\" width=\"744\" height=\"1024\" srcset=\"https:\/\/i0.wp.com\/tarahumaras.praxis.pro.br\/wp-content\/uploads\/2023\/01\/Artaud5-scaled.jpg?resize=744%2C1024&amp;ssl=1 744w, https:\/\/i0.wp.com\/tarahumaras.praxis.pro.br\/wp-content\/uploads\/2023\/01\/Artaud5-scaled.jpg?resize=218%2C300&amp;ssl=1 218w, https:\/\/i0.wp.com\/tarahumaras.praxis.pro.br\/wp-content\/uploads\/2023\/01\/Artaud5-scaled.jpg?resize=768%2C1057&amp;ssl=1 768w, https:\/\/i0.wp.com\/tarahumaras.praxis.pro.br\/wp-content\/uploads\/2023\/01\/Artaud5-scaled.jpg?resize=1116%2C1536&amp;ssl=1 1116w, https:\/\/i0.wp.com\/tarahumaras.praxis.pro.br\/wp-content\/uploads\/2023\/01\/Artaud5-scaled.jpg?resize=1489%2C2048&amp;ssl=1 1489w, https:\/\/i0.wp.com\/tarahumaras.praxis.pro.br\/wp-content\/uploads\/2023\/01\/Artaud5-scaled.jpg?w=1861&amp;ssl=1 1861w, https:\/\/i0.wp.com\/tarahumaras.praxis.pro.br\/wp-content\/uploads\/2023\/01\/Artaud5-scaled.jpg?w=1560&amp;ssl=1 1560w\" sizes=\"auto, (max-width: 744px) 100vw, 744px\" \/> <img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-9 size-large\" src=\"https:\/\/i0.wp.com\/tarahumaras.praxis.pro.br\/wp-content\/uploads\/2023\/01\/ANTONIN-ARTAUD-ATOS-DE-CRUELDADE-7.-2.jpg?resize=738%2C1024&#038;ssl=1\" alt=\"\" width=\"738\" height=\"1024\" srcset=\"https:\/\/i0.wp.com\/tarahumaras.praxis.pro.br\/wp-content\/uploads\/2023\/01\/ANTONIN-ARTAUD-ATOS-DE-CRUELDADE-7.-2-scaled.jpg?resize=738%2C1024&amp;ssl=1 738w, https:\/\/i0.wp.com\/tarahumaras.praxis.pro.br\/wp-content\/uploads\/2023\/01\/ANTONIN-ARTAUD-ATOS-DE-CRUELDADE-7.-2-scaled.jpg?resize=216%2C300&amp;ssl=1 216w, https:\/\/i0.wp.com\/tarahumaras.praxis.pro.br\/wp-content\/uploads\/2023\/01\/ANTONIN-ARTAUD-ATOS-DE-CRUELDADE-7.-2-scaled.jpg?resize=768%2C1066&amp;ssl=1 768w, https:\/\/i0.wp.com\/tarahumaras.praxis.pro.br\/wp-content\/uploads\/2023\/01\/ANTONIN-ARTAUD-ATOS-DE-CRUELDADE-7.-2-scaled.jpg?resize=1106%2C1536&amp;ssl=1 1106w, https:\/\/i0.wp.com\/tarahumaras.praxis.pro.br\/wp-content\/uploads\/2023\/01\/ANTONIN-ARTAUD-ATOS-DE-CRUELDADE-7.-2-scaled.jpg?resize=1475%2C2048&amp;ssl=1 1475w, https:\/\/i0.wp.com\/tarahumaras.praxis.pro.br\/wp-content\/uploads\/2023\/01\/ANTONIN-ARTAUD-ATOS-DE-CRUELDADE-7.-2-scaled.jpg?w=1844&amp;ssl=1 1844w, https:\/\/i0.wp.com\/tarahumaras.praxis.pro.br\/wp-content\/uploads\/2023\/01\/ANTONIN-ARTAUD-ATOS-DE-CRUELDADE-7.-2-scaled.jpg?w=1560&amp;ssl=1 1560w\" sizes=\"auto, (max-width: 738px) 100vw, 738px\" \/><\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-176\" src=\"https:\/\/i0.wp.com\/tarahumaras.praxis.pro.br\/wp-content\/uploads\/2023\/01\/Imagem-039-1.jpg?resize=672%2C1024&#038;ssl=1\" alt=\"\" width=\"672\" height=\"1024\" srcset=\"https:\/\/i0.wp.com\/tarahumaras.praxis.pro.br\/wp-content\/uploads\/2023\/01\/Imagem-039-1.jpg?resize=672%2C1024&amp;ssl=1 672w, https:\/\/i0.wp.com\/tarahumaras.praxis.pro.br\/wp-content\/uploads\/2023\/01\/Imagem-039-1.jpg?resize=197%2C300&amp;ssl=1 197w, https:\/\/i0.wp.com\/tarahumaras.praxis.pro.br\/wp-content\/uploads\/2023\/01\/Imagem-039-1.jpg?w=704&amp;ssl=1 704w\" sizes=\"auto, (max-width: 672px) 100vw, 672px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Texto e Encena\u00e7\u00e3o: Wilson Co\u00ealho. Sinopse:\u00a0Vida e obra de Artaud. Sua participa\u00e7\u00e3o no movimento surrealista, bem como, sua expuls\u00e3o. Cria\u00e7\u00e3o do Teatro Alfred Jarry. Sua visita ao M\u00e9xico e sua rela\u00e7\u00e3o com os intelectuais e encontro com os \u00edndios Tarahumaras. Influ\u00eancia do teatro oriental, em especial, os balinenses, da Indon\u00e9sia. Estadia em diversos manic\u00f4mios, sua <a class=\"more-link\" href=\"https:\/\/tarahumaras.praxis.pro.br\/index.php\/antonin-artaud-atos-de-crueldade-1988-texto-e-encenacao-wilson-coelho\/\">Leia mais&#8230; &raquo;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-7","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/tarahumaras.praxis.pro.br\/index.php\/wp-json\/wp\/v2\/pages\/7","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tarahumaras.praxis.pro.br\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/tarahumaras.praxis.pro.br\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/tarahumaras.praxis.pro.br\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tarahumaras.praxis.pro.br\/index.php\/wp-json\/wp\/v2\/comments?post=7"}],"version-history":[{"count":5,"href":"https:\/\/tarahumaras.praxis.pro.br\/index.php\/wp-json\/wp\/v2\/pages\/7\/revisions"}],"predecessor-version":[{"id":287,"href":"https:\/\/tarahumaras.praxis.pro.br\/index.php\/wp-json\/wp\/v2\/pages\/7\/revisions\/287"}],"wp:attachment":[{"href":"https:\/\/tarahumaras.praxis.pro.br\/index.php\/wp-json\/wp\/v2\/media?parent=7"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}